Evaluation Question Two: How effective is the combination of your ancillary production tasks with the main production?

Double page spread

This is my double page spread for the film, again I have looked to follow conventions with regards to layout and setup. By doing this I hope to have given my magazine a professional outlook.

Poster

This is my poster, I have tried to follow the conventions of a successful film poster and put my own unique stamp on it which i think I have achieved here.

Double Page Spread

Here are some examples of double page spreads from popular film magazines. having looked at the double page spreads for inspiration, i believe the most eye carching ones are those which feature little text and big eye-catching images. This is a method which I will look to adopt for my final double page spread.

Posters

Here are some posters from other films that will inspire me with my own poster. I took particular intrest in making my poster similar to the 'CONTROL' poster because I like the fact that although it is a basic poster with regards to the image and text, it is very striking and in its own way makes viewers of the poster want to look at it more closely. When I make my poster I will ensure I have a striking image and a big clear title to engage my target audience, also I will try to put a unique stamp on my poster to try and make it stand out to the regular magazines, however avoiding breaking the conventions of film posters as clearly they are successful.

AUDIENCE FEEDBACK

BLOG TASK 7

• The hero, usually male, is the agent who restores the narrative equilibrium often by embarking upon a quest (or search). Propp distinguishes between the victim hero, who is the centre of the villain's attentions, and the seeker hero who aids others who are the villains victims. The hero is invariably the texts central character.

• The villain who usually creates the narrative disruption. 

• The donor gives the hero something, it may be an object, information or

advice, which helps in resolution of the narrative. 

• The helper aids the hero in the task of restoring equilibrium. 

• The princess (the victim) is usually the character most threatened by the

villain and has to be saved, at the climax, by the hero. The father's (who in fairy tales was often the king) role is usually to give the princess away to the hero at the narrative's conclusion. He may also despatch the hero.

• The dispatcher sends the hero on her or his task (who can typically be the princess father)

• The false hero appears to be good but is revealed, at the narrative's end, to have been bad